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The aesthetic vision of theatricalization of formation in postmodern arts

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Document Type : Research Paper

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Abstract

The research, titled "The Aesthetic Vision of the Dramatization of Fine Arts in Postmodern Art," comprises four chapters, including the first. The research problem was defined as the following questions:
1)Does the phenomenon of contemporary fine art constitute an interpretive dimension in visual rehabilitation1)?
2)Does the departure from the objective values ​​of painting provide the postmodern system with an opportunity to dramatize fine art for openness and participation ?
The first chapter included the research objective by identifying the aesthetic vision of the theatricalization of visual art in postmodern art. The research's boundaries were limited to an objective study of (the aesthetic vision of the theatricalization of visual art in postmodern art) through analyzing illustrated models of texts and artistic performances representing artistic productions and performances in the United States of America for the period (2000-2019 AD). The second chapter, which contained two sections, dealt with the first section (the openness of visual display spaces), and the second section dealt with (the theatricalization of visual art in contemporary art), concluding the theoretical framework with a discussion of the most important indicators reached by the research. As for the third chapter, the research community consists of (40) artworks from American artists. By intentionally selecting the sample (4) artworks, the researcher relied on the (descriptive-1)analytical) method. The fourth chapter included the research results, and the most prominent results are. The creation of a set of opposing dualities in the theatricalization of visual art, which is a purely contradictory debate that cannot be resolved regarding the transformation of its gender levels. Activating the scenography of theatrical performance in the visual arts is about borrowing, overlapping, and transferring
The conclusions are:
1)The levels of artistic work vary, suggesting a generic overlap between theater and visual arts, with the aim of mobilizing other texts that cannot be categorized.
The research concludes with recommendations, proposals, and Arab and foreign sources.

Keywords

  • vision
  • aesthetics
  • theatricalization of visual arts
  • postmodernism
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Alkut university college journal
Volume 2025, بحوث مؤتمر العلمي الدولي السادس للابداع والابتكار للمدة 16-17 نيسان 2025
October 2025
Page 336-355
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APA

(2025). The aesthetic vision of theatricalization of formation in postmodern arts. Alkut university college journal, 2025(بحوث مؤتمر العلمي الدولي السادس للابداع والابتكار للمدة 16-17 نيسان 2025), 336-355.

MLA

. "The aesthetic vision of theatricalization of formation in postmodern arts", Alkut university college journal, 2025, بحوث مؤتمر العلمي الدولي السادس للابداع والابتكار للمدة 16-17 نيسان 2025, 2025, 336-355.

HARVARD

(2025). 'The aesthetic vision of theatricalization of formation in postmodern arts', Alkut university college journal, 2025(بحوث مؤتمر العلمي الدولي السادس للابداع والابتكار للمدة 16-17 نيسان 2025), pp. 336-355.

CHICAGO

, "The aesthetic vision of theatricalization of formation in postmodern arts," Alkut university college journal, 2025 بحوث مؤتمر العلمي الدولي السادس للابداع والابتكار للمدة 16-17 نيسان 2025 (2025): 336-355,

VANCOUVER

The aesthetic vision of theatricalization of formation in postmodern arts. Alkut university college journal, 2025; 2025(بحوث مؤتمر العلمي الدولي السادس للابداع والابتكار للمدة 16-17 نيسان 2025): 336-355.

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