Abstract

This research is concerned with studying (the features of topology in international ceramics) and is divided into four chapters. The first chapter includes a statement of the research problem, the importance of the research, the need for it, the goal of the research and its limits, and defining and defining terms. The problem of the current research included the topic (What are the features of topology in international ceramics?), which is a remarkable phenomenon. The current research aims to reveal: (Features of topology in international ceramics.) The limits of the research: First: Objective limits: Study of the features of topology in global ceramics. Contemporary. In illustrations of ceramic works made with different materials and materials. Second: Time limits: (2010 - 2022) AD. Third: Spatial boundaries: the world
The second chapter included the theoretical framework and previous studies and consisted of two sections: the first included (topology conceptually). The second section included (reflections of topology in contemporary ceramics).
 As for the third chapter, research procedures, the research population, and intentionally selecting the research sample of (3) as a sample, then the research tool, research methodology, and analysis of the research sample.
The fourth chapter, which was concerned with (results and conclusions), included among the results:
1 .The stylistic diversity in the construction of the topological composition of the sample models helped to demonstrate the effectiveness of the space with the elements of the composition to form effective geometric structural units that establish aesthetic features through their interconnected relationship with the space that they accommodate.

The intellectual transformation is due to building a plastic style that keeps pace with the artist’s vision, the extent of his interaction, and his cultural, civilizational, and aesthetic dialogues, as well as his endeavor to keep pace with the radical transformations in the world of contemporary plastics in general and contemporary ceramics in particular.